The Silence of Others reveals the epic struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. Filmed over six years, the film follows the survivors as they organize the groundbreaking ‘Argentine Lawsuit’ and fight a state-imposed amnesia of crimes against humanity, and explores a country still divided four decades into democracy. Seven years in the making, The Silence of Others is the second documentary feature by Emmy-winning filmmakers Almudena Carracedo and Robert Bahar (Made in L.A.). It is being Executive Produced by Pedro Almodóvar, Agustín Almodóvar, and Esther García.
“Widescreen” refers to a larger width to height in the frame, compared to earlier historic aspect ratios. A “feature-length film”, or “feature film”, is of a conventional full length, usually 60 The Silence of Others minutes or more, and can commercially stand by itself without other films in a ticketed screening.
A “short” is a film that is not as long as a feature-length film, The Silence of Others often screened with other shorts, or preceding a feature-length film. An “independent” is a film made outside the conventional film industry.
In US usage, one talks of a “screening” or “projection” The Silence of Others of a movie or video on a screen at a public or private “theater.” In British English, a “film showing” happens at a cinema (never a “theatre”, which is a The Silence of Others different medium and place altogether). A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theater usually refers The Silence of Others to a place where live, non-recorded action or combination thereof
occurs from a podium or other type of stage, including the amphitheater.
Theaters can still screen movies in them, though The Silence of Others the theater would be retrofitted to do so. One might propose “going to the cinema” when referring to the activity, or sometimes “to the pictures” in British English, whereas the The Silence of Others US expression is usually “going to the movies.” A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a The Silence of Others digital projector. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. The Silence of Others These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel The Silence of Others in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured
with photographic emulsion result in a series of invisible latent The Silence of Others images on the film stock, which are chemically “developed” into a visible image. The images on the film stock are projected for viewing the motion picture.
Cinematography finds uses in many The Silence of Others fields of science and business as well as for entertainment purposes and mass communication.
In digital cinematography, the movie is shot on digital medium such as flash storage, as well as The Silence of Others distributed through a digital medium such as a hard drive.
Beginning in the late 1980s, Sony began marketing the concept of “electronic cinematography,” utilizing its analog Sony HDVS professional video cameras. The Silence of Others The effort met with very little success. However, this led to one of the earliest digitally shot feature movies, Julia and Julia (1987). In 1998, with the introduction of HDCAM The Silence of Others recorders and 1920 × 1080 pixel digital professional video cameras based on CCD technology, the idea, now re-branded as “digital cinematography,” began to gain traction. The Silence of Others
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